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Those creatures actually live and hunt in those waters and almost everybody has been swimming in the ocean, so there’s an easy access to that base fear.

Steven Spielberg: It was worth it because, for number one, Close Encounters, which was a film I had written and a film nobody seemed to want to make, everybody seemed to want it right after Jaws was a hit.

That movie was more than just a filmmaking and eventually a filmgoers experience, that movie was all about human relationships both in front of and behind the scenes because people started to lose their noodles as we spent weeks and then many months on Martha’s Vineyard and then, later, in the Pacific Ocean around Catalina. It feels like half my work was talking people off the ledge, when cast and crew had no idea when we’d ever leave Martha’s Vineyard, when people could return to their wives and families and real lives. I actually was on schedule for the first part of the picture.

They kept turning to me saying, “When are you going to finish the movie? I mistakenly blew all my cover; the scenes I could have held back in case there was a mechanical problem with the shark, in case there was a bad day at sea and we couldn’t shoot because of the height of the waves or the strength of the wind.

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It is not proper netiquette to TYPE IN ALL CAPS (even in email), in fact, it's annoying.

But what I really owe to Jaws was creating in me a great deal of humility, about tempering my imagination with just sort of the facts of life.